Generative Listening
Applied Ecological Listening #1.
Part of a workshop and lecture series in three iterations with Daniela Medina Poch, Mark Peter Wright and Tim Rudbøg respectively, facilitated by Bureau for Listening.
Applied Ecological Listening is a three-part series of outdoor workshops and lectures that invites artists, researchers, and members of the public to explore listening as an embodied and situated ecological practice. Hosted at Amager Fælled—a now protected natural area shaped by a layered history of military use, landfilling, and ongoing care and struggle—the programme unfolds within a landscape that embodies the call to explore listening in search of a reorientation toward ecological transformation, resistance, and resilience.
The programme asks: how might we listen differently in a time of climate crisis and ecological transformation? What kind of applied ecological listening does our time require? How can we cultivate a mode of attention attuned not only to what is voiced and sounding, but also to what is silenced, omitted, or unheard? Applied Ecological Listening is an invitation to shift the dominant logics of perception—away from extractive seeing, knowing, and naming—toward a practice of being-with, sensing-with, and listening-with the entangled worlds we inhabit.
Through a series of field-based and experimental lectures, workshops, and collective reflections, the series approaches listening not only as a sensory mode, but as a critical method for attuning to the complex entanglements of ecological life—practicing listening as a way of noticing relations across species, histories, and material traces; of sensing what is present, what is not known, and what is yet to be heard.
Over the course of the series, Bureau for Listening will facilitate the gathering and production of various outputs and forms of documentation, in collaboration with the invited ‘speakers’ and participants—for example, an Applied Ecological Listening Manifesto, listening prompts, and poetic fragments—which will be published at the end of the series.
Daniela Media Poch
Daniela Medina Poch (b. Bogotá) is an interdisciplinary artist, researcher and educator. Her work moves across artistic practice, critical theory and pedagogy, often engaging with ecology, language and collective knowledge-making.
She investigates how unofficial histories and interspecies entanglements contribute to plural ecologies and non-hegemonic knowledge systems. Through expanded listening and a critique of value imaginaries, her practice questions the assumed universality of dominant ecological discourses and proposes shifts in the flow of knowledge.
Her work includes empirical, performative and academic research, leading to long-term research threads as well as everyday gestures. She works site-specifically and relationally, often employing language subversion, semiotics and performative interventions in public space.
Medina Poch regularly publishes essays and critical texts, and conducts seminars and workshops internationally. Her interests lie in processes that emerge from—and in turn exceed—artistic approaches, generating new modes of understanding and engagement.
Bureau for Listening
Bureau for Listening is an artist- and research-led platform investigating listening as a critical, empathic and artistic practice. Operating nomadically and transdisciplinarily, the Bureau works across sound, philosophy, and performance.
Its projects explore how listening can unsettle dominant knowledge systems and open spaces for collective inquiry, care, and attentiveness. Through experimental methods and collaborative formats, the Bureau approaches listening not merely as a sensory act, but as a situated and transformative mode of relation.
Bureau for Listening initiates and curates workshops, public programs, research gatherings, and publishing projects, often in collaboration with institutions and informal networks. It is a partner in organizing the Copenhagen manifestation of The Listening Biennial.
The Listening Biennial
The Listening Biennial is an international artistic and research initiative that highlights listening as a relational capacity—a philosophical, political, creative, and research-driven practice .
The Biennial operates as a decentralized global platform, commissioning audio works, performances, and discursive programs across cities. Embracing radical empathy, ecological attunement, sonic storytelling, and interspecies dialogues, it asks: how can listening dismantle exclusion, human exceptionalism, and entrenched power structures?
Since its launch in 2021, The Listening Biennial has grown through local “manifestations” with partner venues and institutions. It also runs the Listening Academy, a series of workshops and seminars on listening as creative practice, in cities like Berlin, Delhi, Hong Kong, and Skopje.
Under a network of artists, curators, scholars, and collectives, the Biennial fosters an ecology of attention, encouraging participatory, attuned, and diverse listening cultures worldwide.